CONTENTS

• Geetha GANAPATHY-DORÉ & Benaouda LEBDAI, Foreword, 7
• Cécile BIRKS, "Nothing is worse than what we can imagine": Secrecy and Allegory in J.M. Coetzee's Waiting for the Barbarians and Disgrace, 13
• Richard SAMIN, Revelation and Veridiction: Modes of Disclosure in Alex La Guma's In the Fog of the Season's End and Mark Behr's The Smell of Apples, 25
• Xavier PONS, "I have to work right through this white way of thinking": The Deconstruction of Discourses of Whiteness in Kim Scott's Benang, 37
• Chantal ZABUS, Behind the Seine and Other Scenery: African and European Male Intimacies in Western Cities, 49
• Françoise KRAL, The Resilient Opacity of Vassanji's The In-Between World of Vikram Lall, 61
• Philip WHYTE, The Treatment of Background in Kazuo Ishiguro's The Remains of the Day, 73
• Suhasini VINCENT, Celluloid Dreams in Shashi Tharoor's Show Business, 83
• Alice BRAUN, The Author at Work: Two Short Stories by Janet Frame, 93

Reviews

• James GIBBS, Staging New Britain: Aspects of Black and South Asian British Theatre Practice. Ed. by Geoffrey V. Davis and Anne Fuchs, 105
• Christine LORRE, Maoriland: New Zealand Literature, 1872-1914. By Jane Stafford and Mark Williams, 106
• Suzanne BRAY, Religious Writings and War / Les discours religieux et la guerre. Ed. by Gilles Teulié, 108