Presse de la recherche >> Commonwealth
Publication
35.1 (Autumn 2012): Transparencies
Editor: Claire Omhovère
Guest editor: Kerry-Jane Wallart
Guest editor: Kerry-Jane Wallart
CONTENTS
Transparencies
- Kerry-Jane Wallart, introduction, 5
- André Dodeman, "The Writer's Quest for Clarity: Morley Callaghan's The Loved and the Lost", 9
- Mélanie Heydari-Malayeri, "Reviving the 'Great Tradition' of the British Novel: Realism and Transparency", 21
- Pascale Tollance, "Screens in Janet Frame's 'The Secret'", 29
- Kathie Birat, "Transparency and Orality in Janet Frame's The Lagoon and Other Stories", 37
- Alice Braun, "'The enormous burden upon the I to tell all': Metafiction as Unveiling in Janet Frame's Living in the Maniototo", 45
- Héliane Ventura, "Haunted by a Fantasy of Immortality: 'Spirit' by Janet Frame", 55
- Kerry-Jane Wallart, "The Word and the Stage, or the Intermediate Transparency in The Blood Knot by Athol Fugard", 63
- Marjorie Ambrosio, "Degrees of Transparency in Brian Castro's Birds of Passage and After China", 73
- Maria Pilar Royo Grasa, "(Un-)Settling Reconciliation in David Malouf's An Imaginary Life", 83
- Salhia Ben-Messahel, "Andrew McGahan's Wonders of a Godless World: A Transparent Space of Darkness", 93
Reviews
- Jane Stafford, Savage Songs and Wild Romances: Settler Poetry and the Indigene, 1830-1880, by John O'Leary, 103
- Adnan Mahmutovic, Experiences of Freedom in Postcolonial Literatures and Cultures, by Annalisa Oboe and Sahul Bassi, 105
- Guy Beauregard, Transnational Poetics: Asian Canadian Women's Fiction of the 1990s, ed. by Pilar Cuder-Dominguez, Belén Martin-Lucas, and Sonia Villegas-Lopez, 107
- Christine Lorre, The Postcolonial Unconscious, by Neil Lazarus, 111
mise à jour le 27 février 2013
Individual Issues
- 1 (1974-1975): Miscellanies / Mélanges Civilisations / Littératures
- 2 (1976): Essays and Studies / Mélanges Civilisations / Littératures
- 3 (1977-1978): Miscellanies / Mélanges Civilisations / Littératures
- 4 (1979-1980): Essays and Studies / Mélanges Australian Literature Today / Littérature australienne d'aujourd'hui
- 5 (1981-1982): Images of Africa in the New World / Images de l'Afrique dans le Nouveau Monde
- 6.1 (Autumn 1983): V.S. Naipaul
- 6.2 (Spring 1984): Australia and Continental Europe
- 7.1 (Autumn 1984): African Drama
- 7.2 (Spring 1985): Images of the Artist in the New Literatures in English
- 8.1 (Autumn 1985): Images of India in Commonwealth Literature
- 8.2 (Spring 1986): Poetry in the Commonwealth
- 9.1 (Autumn 1986): J. M. Coetzee / V. S. Naipaul
- 9.2 (Spring 1987): Orality and Literacy
- 10.1 (Autumn 1987): Myth in the New Literatures in English
- 11.1 (Autumn 1988): Reciprocal Images of Britain and the Commonwealth
- 11.2 (Spring 1989): Margaret Atwood/Canadian Literature
- 12.1 (Autumn 1989): Liberty/Liberties
- 12.2 (Spring 1990): New Zealand and South Pacific Literature
- 13.1 (Autumn 1990): Women Writers in the New Literatures in English
- 13.2 (Spring 1991): Caribbean Literature
- 14.1 (Autumn 1991): New Modes of Writing in the New Literatures in English
- 14.2 (Spring 1992): Southern Africa
- 15.1 (Autumn 1992): The Child and the New Literatures in English
- 15.2 (Spring 1993): Conversations with Wole Soyinka / The Supernatural
- 16.1 (Autumn 1993): Prizes and the New Literatures in English
- 16.2 (Spring 1994): The South Pacific/David Malouf
- 17.1 (Autumn 1994): Bridges in the New Literatures in English
- 17.2 (Spring 1995): Women and Representation in the New Literatures in English
- 18.1 (Autumn 1995): National Identities in the New Literatures in English
- 18.2 (Spring 1996): The Postcolonial Imagination
- 19.1 (Autumn 1996): Voices/Narration in the New Literatures in English
- 19.2 (Spring 1997): Development and Transformation in the New Literatures in English
- 20.1 (Autumn 1997): Language and Languages in the New Literatures in English
- 20.2 (Spring 1998): Looking Back
- 21.1 (Autumn 1998): Fictionalizing History
- 21.2 (Spring 1999): Interspaces
- 21.2 (Spring 1999): Interspaces
- 22.1 (Autumn 1999): Beginnings
- 22.2 (Spring 2000): Crossing Borders
- 23.1 (Autumn 2000): Reconciliation
- 23.2 (Spring 2001): Crossways
- 24.1 (Autumn 2001): Biography, Autobiography and Fiction
- 24.2 (Spring 2002): A Question of Perspective
- 25.1 (Autumn 2002): Palimpsests
- 25.2 (Spring 2003): Forging Heritage
- 26.1 (Autumn 2003): Genre/Gender
- 26.2 (Spring 2004): Migrating
- 27.1 (Autumn 2004) : Heritage
- 27.2 (Spring 2005): Postcolonial Narratives
- 28.1 (Autumn 2005): Textual, Contextual, Extra-Textual
- 28.2 (Spring 2006): Derek Walcott
- 29.1 (Autumn 2006): Strange / Stranger
- 29.2 (Spring 2007): Antipodes
- 30.1 (Autumn 2007): Behind the Scenes
- 30.2 (Spring 2008): Open-topic issue
- 31.1 (Autumn 2008): Resurgence
- 31.2 (Spring 2009): South Asian Fiction / Anita Desai
- 32.1 (Autumn 2009): Essays and Trials
- 32.2 (Spring 2010): Mutations
- 33.1 (Autumn 2010): Horizons
- 33.2 (Spring 2011): Janet Frame: Short Fiction
- 34.1 (Autumn 2011): Tectonic Shifts: The Global and the Local
- 34.2 (Spring 2012): Reappraisals
- 35.1 (Autumn 2012): Transparencies
- 35.2 (Spring 2013): Ben Okri
- 36.1 (Autumn 2013): Naming / Labelling / Adressing
- 36.2 (Spring 2014): Inside/Out
- 37.1 (Autumn 2014): Crossings
- 37.2 (Spring 2015): Alice Munro: Writing for Dear Life
- 38.1 (Autumn 2015): Commitment
- 38.2 (Spring 2016): Geographies of Displacement
- 39.1 (Autumn 2016): Post-conflict Territories: Representations and Reconfigurations
- 40.1 (Autumn 2017) : Caryl Phillips
- 40.2 (Spring 2018) : Confluence/Reconstruction
- 41.1 (Autumn 2018): Unsettling Oceania
- 41.2 (Spring 2019): Nadine Gordimer, De-Linking, Interrupting, Severing
- 43.1 (2020) Exception
