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35.1 (Autumn 2012): Transparencies

Editor: Claire Omhovère
Guest editor: Kerry-Jane Wallart



  • Kerry-Jane Wallart, introduction, 5
  • André Dodeman, "The Writer's Quest for Clarity: Morley Callaghan's The Loved and the Lost", 9
  • Mélanie Heydari-Malayeri, "Reviving the 'Great Tradition' of the British Novel: Realism and Transparency", 21
  • Pascale Tollance, "Screens in Janet Frame's 'The Secret'", 29
  • Kathie Birat, "Transparency and Orality in Janet Frame's The Lagoon and Other Stories", 37
  • Alice Braun, "'The enormous burden upon the I to tell all': Metafiction as Unveiling in Janet Frame's Living in the Maniototo", 45
  • Héliane Ventura, "Haunted by a Fantasy of Immortality: 'Spirit' by Janet Frame", 55
  • Kerry-Jane Wallart, "The Word and the Stage, or the Intermediate Transparency in The Blood Knot by Athol Fugard", 63
  • Marjorie Ambrosio, "Degrees of Transparency in Brian Castro's Birds of Passage and After China", 73
  • Maria Pilar Royo Grasa, "(Un-)Settling Reconciliation in David Malouf's An Imaginary Life", 83
  • Salhia Ben-Messahel, "Andrew McGahan's Wonders of a Godless World: A Transparent Space of Darkness", 93


  • Jane Stafford, Savage Songs and Wild Romances: Settler Poetry and the Indigene, 1830-1880, by John O'Leary, 103
  • Adnan Mahmutovic, Experiences of Freedom in Postcolonial Literatures and Cultures, by Annalisa Oboe and Sahul Bassi, 105
  • Guy Beauregard, Transnational Poetics: Asian Canadian Women's Fiction of the 1990s, ed. by Pilar Cuder-Dominguez, Belén Martin-Lucas, and Sonia Villegas-Lopez, 107
  • Christine Lorre, The Postcolonial Unconscious, by Neil Lazarus, 111

mise à jour le 27 février 2013

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