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Publication
16.2 (Spring 1994): The South Pacific/David Malouf
CONTENTS
The South Pacific
- "Pages from Albert Wendt's Photograph Album", 1
- "The Travels of a Tusitala: Albert Wendt in Burgundy", 7
- Witi Ihimaera, Tiana (an extract from a novel in progress), 10
- Reina Whaitiri, "Rapua te tumu: To the Point", 15
- Lydia Wevers, "Short Fiction by Maori Writers", 26
- Hartwig Isernhagen, "Why Novels? Why Short Stories? A Note on the Use of Genres in the Works of Witi Ihimaera and Albert Wendt", 34
- Jean Guiart, "Albert Wendt's Anthropological Truth", 38
- Georges-Goulven Le Cam, "The New Net Goes Fishing: A Comparative Sketch of Maori Carving Past and Present", 44
David Malouf
- Bill Ashcroft, "The Return of the Native: An Imaginary Life and Remembering Babylon", 51
- Gareth Griffiths, "An Imaginary Life: The Post-Colonial Text as Transformative Representation", 61
- Geneviève Laigle, "Entering the Dimensions of my Self": Malouf's An Imaginary Life", 70
- Xavier Pons, "Broken Lines, Broken Lives: Discontinuities in David Malouf's The Great World", 79
The Caribbean
- Eric Tabuteau, "Love in Black and White: A Comparative Study of Samuel Selvon and Frantz Fanon", 88
Canada
- Geetha Ganapathy-Doré, "The Novels of the Nowhere Man: Michael Ondaatje's The English Patient", 96
Africa
- Amadou Ouedraogo, "The Voice: par-delà la réel, ou la quête de la totalité", 101
- Ezenwa-Ohaeto, "Rage and Reason: Moral Education in the Poetry of Ojaide and Udechukwu", 110
Reviews
- Paul Sharrad, Readings in Pacific Literature, 118
- Robert D. Hamner, Derek Walcott; Robert D. Hamner, Critical Perspectives on Derek Walcott; Stewart Brown, The Art of Derek Walcott, 118
mise à jour le 22 février 2013
Individual Issues
- 1 (1974-1975): Miscellanies / Mélanges Civilisations / Littératures
- 2 (1976): Essays and Studies / Mélanges Civilisations / Littératures
- 3 (1977-1978): Miscellanies / Mélanges Civilisations / Littératures
- 4 (1979-1980): Essays and Studies / Mélanges Australian Literature Today / Littérature australienne d'aujourd'hui
- 5 (1981-1982): Images of Africa in the New World / Images de l'Afrique dans le Nouveau Monde
- 6.1 (Autumn 1983): V.S. Naipaul
- 6.2 (Spring 1984): Australia and Continental Europe
- 7.1 (Autumn 1984): African Drama
- 7.2 (Spring 1985): Images of the Artist in the New Literatures in English
- 8.1 (Autumn 1985): Images of India in Commonwealth Literature
- 8.2 (Spring 1986): Poetry in the Commonwealth
- 9.1 (Autumn 1986): J. M. Coetzee / V. S. Naipaul
- 9.2 (Spring 1987): Orality and Literacy
- 10.1 (Autumn 1987): Myth in the New Literatures in English
- 11.1 (Autumn 1988): Reciprocal Images of Britain and the Commonwealth
- 11.2 (Spring 1989): Margaret Atwood/Canadian Literature
- 12.1 (Autumn 1989): Liberty/Liberties
- 12.2 (Spring 1990): New Zealand and South Pacific Literature
- 13.1 (Autumn 1990): Women Writers in the New Literatures in English
- 13.2 (Spring 1991): Caribbean Literature
- 14.1 (Autumn 1991): New Modes of Writing in the New Literatures in English
- 14.2 (Spring 1992): Southern Africa
- 15.1 (Autumn 1992): The Child and the New Literatures in English
- 15.2 (Spring 1993): Conversations with Wole Soyinka / The Supernatural
- 16.1 (Autumn 1993): Prizes and the New Literatures in English
- 16.2 (Spring 1994): The South Pacific/David Malouf
- 17.1 (Autumn 1994): Bridges in the New Literatures in English
- 17.2 (Spring 1995): Women and Representation in the New Literatures in English
- 18.1 (Autumn 1995): National Identities in the New Literatures in English
- 18.2 (Spring 1996): The Postcolonial Imagination
- 19.1 (Autumn 1996): Voices/Narration in the New Literatures in English
- 19.2 (Spring 1997): Development and Transformation in the New Literatures in English
- 20.1 (Autumn 1997): Language and Languages in the New Literatures in English
- 20.2 (Spring 1998): Looking Back
- 21.1 (Autumn 1998): Fictionalizing History
- 21.2 (Spring 1999): Interspaces
- 21.2 (Spring 1999): Interspaces
- 22.1 (Autumn 1999): Beginnings
- 22.2 (Spring 2000): Crossing Borders
- 23.1 (Autumn 2000): Reconciliation
- 23.2 (Spring 2001): Crossways
- 24.1 (Autumn 2001): Biography, Autobiography and Fiction
- 24.2 (Spring 2002): A Question of Perspective
- 25.1 (Autumn 2002): Palimpsests
- 25.2 (Spring 2003): Forging Heritage
- 26.1 (Autumn 2003): Genre/Gender
- 26.2 (Spring 2004): Migrating
- 27.1 (Autumn 2004) : Heritage
- 27.2 (Spring 2005): Postcolonial Narratives
- 28.1 (Autumn 2005): Textual, Contextual, Extra-Textual
- 28.2 (Spring 2006): Derek Walcott
- 29.1 (Autumn 2006): Strange / Stranger
- 29.2 (Spring 2007): Antipodes
- 30.1 (Autumn 2007): Behind the Scenes
- 30.2 (Spring 2008): Open-topic issue
- 31.1 (Autumn 2008): Resurgence
- 31.2 (Spring 2009): South Asian Fiction / Anita Desai
- 32.1 (Autumn 2009): Essays and Trials
- 32.2 (Spring 2010): Mutations
- 33.1 (Autumn 2010): Horizons
- 33.2 (Spring 2011): Janet Frame: Short Fiction
- 34.1 (Autumn 2011): Tectonic Shifts: The Global and the Local
- 34.2 (Spring 2012): Reappraisals
- 35.1 (Autumn 2012): Transparencies
- 35.2 (Spring 2013): Ben Okri
- 36.1 (Autumn 2013): Naming / Labelling / Adressing
- 36.2 (Spring 2014): Inside/Out
- 37.1 (Autumn 2014): Crossings
- 37.2 (Spring 2015): Alice Munro: Writing for Dear Life
- 38.1 (Autumn 2015): Commitment
- 38.2 (Spring 2016): Geographies of Displacement
- 39.1 (Autumn 2016): Post-conflict Territories: Representations and Reconfigurations
- 40.1 (Autumn 2017) : Caryl Phillips
- 40.2 (Spring 2018) : Confluence/Reconstruction
- 41.1 (Autumn 2018): Unsettling Oceania
- 41.2 (Spring 2019): Nadine Gordimer, De-Linking, Interrupting, Severing
- 43.1 (2020) Exception
