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26.1 (Autumn 2003): Genre/Gender


  • Sheila COLLINGWOOD-WHITTICK, Introduction, 7
  • Xavier PONS, To Be a Man and to Have a Man: Sex, Gender and Ethnicity in Christos Tsiolkas' Loaded, 11
  • Vicki BRIAULT-MANUS, The Interaction of "Race" and Gender as Cultural Constructs in Tsitsi Dangarembga's Nervous Conditions, 23
  • Myriam LOUVIOT, Genre and Gender in Butterfly Burning: Yvonne Vera's Elliptical Writing, 33
  • Sue RYAN, White Form, Aboriginal Content: Philip McLaren's Scream Black Murder, 41
  • Philip WHYTE, Gender and Epic in Syl Cheney-Coker's The Last Harmattan of Alusine Dunbar, 53
  • Mélanie JOSEPH-VILAIN, Writing Woman Back into History: Magic Realism in André Brink's Imaginings of Sand, 61
  • Gilles MACARIE, "Not His, but Her Story": The Place of Women in Derek Walcott's Poetry, 71
  • Christine TEXIER-VANDAMME, The Songlines: Blurring the Edges of Traditional Genres in Search of a New Nomadic Aesthetics, 75
  • Stéphanie GENTY, Genre/Gender in Nadine Gordimer's The Pickup, 83
  • André DODEMAN, Vicissitude in Hugh MacLennan's The Watch that Ends the Night, 91
  • Claire OMHOVÈRE, Rudy Wiebe and Yvonne Johnston's Stolen Life: The Journey of a Cree Woman: A Perigrination Through Gender and Genre, 99

mise à jour le 19 mai 2011

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