Cécile BIRKS, "Nothing is worse than what we can imagine": Secrecy and Allegory in J.M. Coetzee's Waiting for the Barbarians and Disgrace, 13
Richard SAMIN, Revelation and Veridiction: Modes of Disclosure in Alex La Guma's In the Fog of the Season's End and Mark Behr's The Smell of Apples, 25
Xavier PONS, "I have to work right through this white way of thinking": The Deconstruction of Discourses of Whiteness in Kim Scott's Benang, 37
Chantal ZABUS, Behind the Seine and Other Scenery: African and European Male Intimacies in Western Cities, 49
Françoise KRAL, The Resilient Opacity of Vassanji's The In-Between World of Vikram Lall, 61
Philip WHYTE, The Treatment of Background in Kazuo Ishiguro's The Remains of the Day, 73
Suhasini VINCENT, Celluloid Dreams in Shashi Tharoor's Show Business, 83
Alice BRAUN, The Author at Work: Two Short Stories by Janet Frame, 93
Reviews
James GIBBS, Staging New Britain: Aspects of Black and South Asian British Theatre Practice. Ed. by Geoffrey V. Davis and Anne Fuchs, 105
Christine LORRE, Maoriland: New Zealand Literature, 1872-1914. By Jane Stafford and Mark Williams, 106
Suzanne BRAY, Religious Writings and War / Les discours religieux et la guerre. Ed. by Gilles Teulié, 108