• Tac au Tac. Comics and television: what is at stake, conference, 30 November, 2022, Paris
• La carpe et le lapin. Fortunes and tribulations of comparison in the aesthetic analysis of films, 8-9 November, 2022
• Russian artists in Europe: intimacies, creations, exiles, 20-21 October, 2022
• #metooincest: plural views on a mobilisation campaign, 16 September, 2022
• The actor and the star as anomalies: imperfect agreements and expressive dissonances, 28-29 June, 2022
• Turkish-speaking screens: the industrialisation of the audiovisual sector in Turkey, 23-24 June, 2022
• Socio-economic approaches to cinema and audiovisual in France: objects, methods, perspectives, 16-17 June, 2022
• Against the clock: taking and re-taking filmed images in an authoritarian regime, 7-9 June, 2022
• Sound spaces in films and audiovisual productions, April 14-15, 2022
• Film Criticism: Cinema and Marxism, conference, April 4-6, 2022
• Fareway, So Close, March 16-18, 2022
• Creative Failure in the Digital Arts, March 16-18, 2022
• The Affective Interiors of Chantal Akerman: Aesthetic Passages – Films and Installations, January 26-28, 2022
• Guy Hennebelle : Film Critic, Cinema and Politics, October 12, 2021
• Pandemix.mob, December 08-09, 2020
• Musidora, who are you ?, November 18-20, 2020
• Ecology Mobile, February 11-12, 2020
• Filming the Gulag ?, January 29-30, 2020
• Killing the fathers: Women behind the camera on home movies, December 9, 2019
• The Sounds of Exotism in Cinema (Sounds, Music, Speeches), November 13-14, 2019
• John Carpenter, "master of horror", international conference, October 30-31 2019
• Shapes and Spaces of the Virtual : An Initial Cartography, June 20, 2019 - June 21, 2019
• Nuclear Energy in Words and Images, May 28, 2019 - May 29, 2019
• Conserving and Exhibiting Cinema in the Rhône-Alpes Region: A Meeting with the Grenoble and Saint-Étienne Cinematheques, April 12, 2019
• Thinking Space in Cinema and Literature, March 7, 2019 - March 9, 2019
• #foodporn, December 13, 2018 - December 14, 2018
• The Development of Cinephilia and the Premotion of French and Local Cinemas: The Contribution of French Cultural Centers and Alliances françaises, November 29, 2018 - November 30, 2018
• Crisis, What Crisis? Cinema, Television, New Media, November 22, 2018 - November 23, 2018
• Transcontinental Exchanges: Interactions between France and Latin America through Cinema, November 13, 2018 - November 14, 2018
• Hungarian Cinema: The End of a Century? Histories, Sociologies, Aesthetics, September 21, 2018
• Programming, Audiences, Training Programs at French Cultural Centers and Alliances françaises in the Maghreb and Africa, July 7, 2018
• The 2008 Financial Crisis and its Images in France, June 8, 2018
• What Films Do to Us, May 23, 2018 - May 24, 2018
• Film Forms: Figure and Background in Cinema, May 18, 2018
• Thinking Film and Literature through Visual Culture, April 12, 2018 - April 14, 2018
• Thinking Cinema through Childhood, Thinking Childhood through Cinema: Films, Discourse, Theories, April 5, 2018 - April 6, 2018
• The Image and Its Double: The Role of French Women Film Producers from the New Wave to the Present, March 29, 2018 - March 30, 2018
• The Aesthetic Potential of the Virtual: Device, Form, Idea, March 28, 2018 - March 30, 2018
• Everything Has Changed/Everything Must Change: Documentaries of the Future, March 22, 2018
• Oh What a Short! Encounters with Short Films, March 14, 2018
• Deceiving, Creating, Innovating: Special Effects in France, March 8, 2018 - March 10, 2018
• Brands, Publicity and Audiovisual Creation, February 8, 2018 - February 9, 2018
• International Distribution and Sales of Films and Television Programs in the Digital Era, December 8, 2017 - December 9, 2017
• Bodies and Mobile Phones: 6th International Conference of the Mobile and Creation Program, December 4, 2017 - December 5, 2017
• Writing about Animation, December 1, 2017 - December 2, 2017
• Digital Magic, November 13, 2017 - November 14, 2017
• GIF Mechanics and the Movement of Virtual Loops, October 13, 2017 - October 14, 2017
• Sensibility and the Senses. Media, Bodies, Practices, June 29, 2017 - July 1, 2017
• Authentic Artifice, May 18, 2017 - May 22, 2017
• Producing in/with Africa and the Middle East, March 13, 2017 - March 17, 2017
• Training for Film Industry Professions: Comparative Approaches between Africa and the West, February 27, 2017 - February 28, 2017
• Hollywood Franchises: Artistic, Technological, and Indistrial Innovations (1975-2015), December 8, 2016 - December 9, 2016
• Magic and Philosophy, November 24, 2016 - November 25, 2016
• Plant Powers: Animist Cinema and Anthropology of the Living, November 22, 2016 - November 23, 2016
• Comparative Views of French Cinema: Forms, Representations, Production, Teaching, October 12, 2016 - October 13, 2016
• Stereoscopy and Illusion, September 29, 2016 - October 1, 2016
• Machines, Magic, Media, August 20, 2016 - August 28, 2016
• Audiovisual Archives and Studies in History: Experiences and Methods, July 11, 2016 - July 12, 2016
• The Popular Front and French Cinema, June 8, 2016
• The Digital Society, March 22, 2016 - March 23, 2016· Goldorak, 40 Years Later, March 18, 2016 - March 19, 2016
• Recreative Media. Between East And West Technological innovations and new forms of narration in cinema, March 15, 2016
• The Ateliers Varan and Documentary Cinema, March 9, 2016 - March 11, 2016
• Cinema and Television Professions and Techniques: Diverse Approaches (Objects, Methods, Limits), February 12, 2016 - February 13, 2016
• Cinephilias/Seriphilias 2.0, January 26, 2016 - January 27, 2016

Conferences co-organized by the IRCAV

• Museums and heritage institutions and immersive devices, 19 May, 2022, Paris
• Kino-Ukraïna. Meetings on contemporary Ukrainian cinema, 18-19 April, 29 June 2022, Paris
• Decolonizing the digital? Debates around the critical spaces of digital ecologies, 18 March, 2022, Paris
• Picturing the margins: peripheries, minorities and taboos in the films of Marcel Lozinski, Pál Schiffer et Zelimir Zilnik, conference, April 15-16, 2021, Paris
• Women and Cinema, conference, December 6-7, 2019, Marrakech, Faculté des Sciences et des Lettres
• Korean Cinema: construction and deconstruction (1919-2019), conference, Octobre 23, 2019, Paris, Maison de la recherche de Paris 3 (salle Athéna)
• Cinematheques, cine-clubs and canonised films during the 1950s, conference, September 11, 2019, Paris, Maison de la Recherche de Paris 3 (salle Claude Simon) / Centre Censier (salle 49)
• Film Festivals in Contemporary Africa: Operation, Perception, Stakes, international conference, May 28-29, 2019, Institut français de Douala
• Enlarged Documentary: Extensions, Movements, and Reconfigurations, international conference, May 27-29, 2019, Paris, Centre Pompidou/ Columbia Global Centers Paris
• Shedding Light on Marginal Brazilian Cinema, seminar, May 15, 2019, Paris, Université Sorbonne Nouvelle Paris 3
• Shooting: Archeology and Poetics of a Gesture in Cinema, conference, April 16-17, 2019, Paris, Maison de la Recherche / Université Paris 7
• Culinary Graphic Arts: Europe-Asia, conference, Paris, March 18-19, 2019
• When Showing is Doing: Performing the Screening, Kinétraces Conference, Paris, December 11-12, 2018
• Before, After and Beyond Cinematography: Émile Reynaud (1844-1918) and the Question of Animation and the Animated Image, conference, Paris, December 7, 2018, Maison de la Recherche
• Les Tontons flingueurs, international conference, November 13-14, 2018, Paris, Sorbonne
• Possible Worlds: The RTF/ORTF Research Department and Animated Cinema, international conference, November 5-6, 2018, Université de Picardie Jules Verne, Amiens
• What Films Do to Us, May 23-24, 2018, École nationale supérieure Louis Lumière/La Fémis
• The Ethos of the Breach: From Antiquity to the Present, October 12-13, 2017, Maison de la Recherche/Université Paris-Est Créteil