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from January 8, 2016 to January 9, 2016
Friday 8th January 2016
9.00: Carle Bonafous-Murat (Université Sorbonne Nouvelle-Paris 3): “Breaking through - impaired senses, impaired sentences, impaired stories".
9.30: Françoise Dupeyron-Lafay (Université de Paris Est Créteil): “Impaired and Heightened Vision: Synaesthesia, Mourning and Trauma in Thomas De Quincey’s Autobiographical Works.”
10:00: Fabien Desset (Université de Limoges): “Impaired and Heightened Senses in Percy Bysshe Shelley’s Ekphrasis.”
10.30: Caroline Bertonèche (Université Grenoble Alpes): “Romantic Senses and Symptoms.”
11h Coffee break
11.15: Stéphanie Noirard (Université de Poitiers): “Senses of War in Scottish War Poetry.”
11.45: Claire Hélie (Université de Lille 3) “Barry MacSweeney’s ‘derangement of all the senses’ in Pearl (1995) and The Book of Demons (1997).”
12.15: Mathilde La Cassagnère (Université de Savoie): “‘The lens of a mad eye’: Hallucinating Animals in T. Hughes’s Early Poetry.”
13.00: Lunch
14.30: Carole Birkan-Berz (Université Sorbonne Nouvelle-Paris 3): “‘The astounding/ percussionist is deaf’: Experiencing Loss and Gain in Contemporary Poetics, Performance and Translation.”
15.00: Alexandra Becquet (Université Sorbonne Nouvelle-Paris 3): “Sight and Vision in Ford Madox Ford’s Impressionist Novels.”
15.30: Dennis Tredy: (Université Sorbonne Nouvelle-Paris 3): “‘I had fancied I heard… I felt that I saw…’: The Benefits and Limits of Heightened Perception in the Experimental Works of Henry James (1895-1900).”
16h00 Coffee break
Chair: Marc Porée (Ecole Normale Supérieure)
16h20: David Herz (Sciences Po): “Remembering Oliver Sacks.”
16h30: Marc Porée & WILL SELF: Writing and the Importance of Oliver Sacks
18h00: (Petit Amphi) Poetry reading: Dorothy LEHANE
18h30: Drinks
Saturday 9th January
9.00: Anne-Marie Cornède (Université de Paris Descartes): “‘Is this a dagger which I see before me?’: Representation of the Real, Unseen or ‘Mis-seen’ in Orson Welles’ Shakespeare Screen Adaptations.”
9.30: Charlotte Wadoux (Université Sorbonne Nouvelle-Paris 3): “Stepping into Victorian London: the Strategies of Somatic Reading in Dan Simmons’s Drood and Lynn Shepherd’s Tom-All- Alone’s.”
10.00: Sabine Arnaud (Max Planck Institute für Wissenschaftsgeschichte): “Senses, Linguistics and performance.”
10.30: Coffee break
10.50: Sara Trovato (Università di Milano-Bicocca): “Perception and Cognition modified by sign language.”
11.20: Heidi Brayman Hackel (University of California, Riverside): “Soundproof: Listening for Silence in Early Modern England.”
12h20 Lunch
14.00: Liliane Louvel (Université de Poitiers): “The Icones Anatomicae and Impaired Senses: the Strange Quest of The Sensualist.”
14.30: Charlotte Gould (Université Sorbonne Nouvelle-Paris 3): “Reconsidering Spectatorship in British art today.”
15.00: Caroline Pollentier (Université Sorbonne Nouvelle-Paris 3): “Virginia Woolf and the Equivocity of Touch".
15.30: Coffee break
15.50: Séverine Letalleur Sommer (Université de Paris Ouest-Nanterre La Défense): “Simplexity, Meaning Construction & Creativity.”
16.20: Jean-Rémi Lapaire (Université de Bordeaux 3): “Dancing with Words.”
Agnes Toth, The Five Senses.
oil on canvas, reproduced with the permission of the artist.
Date of update January 4, 2016